Her endearing vulnerability and moving vocals ennoble a rich diary of songs, assuring there’s more than shaking booties and partying in this woman’s musical outlook. Green’s debut album “A Love Story” is an exploration into relationships in which she lyrically spills her guts, especially on the emotionally wrenching “Final Hour,” about a man who chased her, corralled her, then coldly ignored her. A former background vocalist for Scott, she’s blessed with a voice that soared effortlessly. However, the record label didn’t want to add a gospel song to the Aijuswanaseing album.

Green, arguably the best candidate to fill the hole vacated by the long-absent Anita Baker, came out swinging on her powerful opener, “Fanatic.” On record, the song is a bouncy ditty, but Green’s competent band turned it into a tour de force. Originally, Love was supposed to be a testament to God (God being love). Not that there was anything wrong with the slower introspective “Future” or “Motherfather,” but when his band was unleashed –with everyone moving spasmodically with Soulchild - the energy level shot through the roof. Musiq took the slow climb in his nearly hour-and-a-half set to the real roots of the movement –body-twitching, hard rocking funk reminiscent of George Clinton’s glory days with Bootsy Collins, Eddie Hazel and Bernie Worrell. Clad in a white T-shirt, metal-studded jeans and signature sunglasses, Musiq glowed as he blasted through a slew of urban radio hits, including “You and Me,” “Girl Next Door,” “Halfcrazy,” “Future” and “Don’t Change.”

belieberodd futureteam minajovoyoutubejanoskianatorgleek kbye. Musiq, a neo-soul veteran with two platinum albums this millennium - “Aijuswanaseing” (I Just Want to Sing) and “Juslisen” (Just Listen) - has surpassed D’Angelo as the genre’s singular and defining voice. The latest Tweets from musiq soulchild (KharzingRadding).

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